Foreword
After
a break of almost 5 years from plastic scale modeling, I came across
the Hasegawa
1/32nd scale kit of the Messerschmitt
Bf 109 G-6 (Gustav) in
my stash of unbuilt kits. Going through the Kagero
#22 book on the Bf109G, I found two black and white photographs of a
crash landed Gustav
coded black 13
wearing white winter camouflage.
Two
photographs of the authentic situation depict the following setting:
Black 13 of 9./JG 51 crash landed in January 1944 either
due to a mechanical problem or enemy gun fire (although no signs of
this are recognizable in the photographs) on an initially
snow-covered and harvested cornfield. Black 13 remained in this
situation for some time before being finally recovered. Most of the
snow had melted away in the meantime leaving only some residues of
snow and slush underneath the right wing. The ground was frozen at
the time of the crash landing as the aircraft did not dig in very
deep into the frozen ground. Damage to the aircraft seemed to be
limited; the rearward bent propeller blades indicate that the engine
was running at the time of impact with the ground and the oil spill
on the spinner, upper propeller blade and on the engine cowling
seemed to originate from the ruptured oil tank directly behind the
spinner. The left landing gear dropped out of its bay due to a loss
of hydraulic pressure.
The
aircraft in white winter camouflage with lightish dried mud stains on
the dark, wet cornfield presents an attractive contrast and setting
for a diorama.
Construction
Construction
of the kit was straightforward. The kit has no fit issues and
represents a fairly accurate reproduction of the famous Bf109
fighter. Nonetheless, I decided to use a resin cockpit set from Aires
as I will leave the canopy open which allows a good view into the
pilot´s compartment. On the authentic photographs, one can see the
storage compartment hatch open, too.
The
Hasegawa
kit is lacking in rivet detail and I opted to use a stone beading
tool to emboss the countersunk-head rivets using the Kagero
drawings and photographs as a reference.
Some snap shots:
02 I
embossed the rivets along panel lines freehand
with a stone beading tool and used strips of thick tape as a guide when embossing rivet lines across panels. |
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